Radiohead

Product Information

a b c d e f g h i j k l m n o p q r s t u v w "Canadian certifications – Radiohead". Music Canada . Retrieved 16 December 2022. Lotus Flower": Zywietz, Tobias. "Chart Log UK – Weekly Updates + Sales 2011". Zobbel.de. Archived from the original on 3 March 2016 . Retrieved 2 January 2013.

Impala Sales Award Winner June 2005 – January 2008" (PDF). Impala. 3 December 2008. Archived (PDF) from the original on 6 August 2018 . Retrieved 9 July 2019. House of Cards": "Polish Singles Chart |". Archived from the original on 26 March 2016 . Retrieved 1 February 2023. Godrich, Nigel (15 June 2007). "a bit of tape from the studio". Dead Air Space. Archived from the original on 18 June 2007 . Retrieved 15 June 2007.a b "Radiohead Chart History: Hot 100". Billboard. Archived from the original on 4 August 2020 . Retrieved 21 July 2020. Pop Is Dead" and "Stop Whispering": "Response from ARIA re: chart inquiry, received 17 February 2016". Imgur.com. Archived from the original on 24 February 2016 . Retrieved 17 February 2016. Radiohead 'In Rainbows' CD Release Date Announced". Remote Control Records. 13 November 2007. Archived from the original on 26 December 2007 . Retrieved 18 November 2007. Althea, Legaspi (2 June 2017). "Hear Radiohead's Previously Unreleased Song 'I Promise' ". Rolling Stone. Archived from the original on 2 June 2017 . Retrieved 2 June 2017. Asked if the next record is taking shape, he said: “It is, actually. You get to the end of one project and can’t see beyond that for a little while, but it’s led by the ideas that you’ve got coming as well. To do a solo record you need songs and they are starting to happen a bit more now. So yeah, I would love to.

Supercollider" did not enter the Billboard Hot 100, but peaked at number 5 on the Hot Singles Sales chart. [82] The King of Limbs – Live from the Basement by Radiohead". iTunes Store (GB). Apple. Archived from the original on 19 May 2015 . Retrieved 31 December 2012.Colothan, Scott (11 October 2007). "Exclusive: Radiohead Sell 1.2million Copies Of 'In Rainbows' ". Gigwise.com. Archived from the original on 12 October 2007 . Retrieved 12 October 2007. The release also drew criticism. Trent Reznor of Nine Inch Nails thought it did not go far enough, and accused Radiohead of using a compressed digital release as a bait-and-switch to promote a traditional record sale. Reznor released his sixth album, Ghosts I–IV, under a Creative Commons licence the following year. [65] The singer Lily Allen said the release was "arrogant" and sent a bad message to less successful acts, saying: "You don't choose how to pay for eggs. Why should it be different for music?" [66] The Sonic Youth bassist Kim Gordon said the release "seemed really community-oriented, but it wasn't catered towards their musician brothers and sisters, who don't sell as many records [as Radiohead]. It makes everyone else look bad for not offering their music for whatever." [67] The Guardian journalist Will Hodgkinson argued that Radiohead had made it impossible for less successful musicians to make a living from their music. [68] Piracy [ edit ] Edgecliffe-Johnson, Andrew (11 October 2007). "Radiohead MP3 release a tactic to lift CD sales". Financial Times. Archived from the original on 17 November 2007 . Retrieved 23 November 2007. Radiohead's third album, OK Computer, was released in May 1997. It remains their most successful album, reaching one in the UK and Ireland and the top ten in several other countries. [3] [4] It was certified triple platinum and produced the UK top-ten singles " Paranoid Android", " Karma Police" and " No Surprises". [1] [3] Kid A followed in October 2000, topping the charts in the UK and becoming first number-one Radiohead album on the US Billboard 200. [3] [5] Amnesiac was released in May 2001, topping the UK charts and producing the singles " Pyramid Song" and " Knives Out". Hail to the Thief was released in June 2003, ending Radiohead's contract with EMI. It was Radiohead's fourth consecutive UK number-one album and was certified platinum. [1] [3] Radiohead were initially branded as a one-hit wonder abroad, but caught on at home in the UK with their second album, " The Bends" (1995), earning fans with their dense guitar atmospheres and front man Thom Yorke's expressive singing. The album featured the hits " High & Dry", " Just" and " Fake Plastic Trees".

a b c d e f g h i j McLean, Craig (9 December 2007). "Caught in the flash". The Observer. London. Archived from the original on 20 February 2008 . Retrieved 1 January 2008. For three weeks in October 2006, Radiohead worked at Tottenham House in Marlborough, Wiltshire, a country house scouted by Godrich. The band members lived in caravans, as the building was in a state of disrepair. [2] Yorke described it as "derelict in the stricter sense of the word, where there's holes in the floor, rain coming through the ceilings, half the window panes missing ... There were places you just basically didn't go. It definitely had an effect. It had some pretty strange vibes." [11] The sessions were productive and the band recorded " Jigsaw Falling into Place" and " Bodysnatchers". [9] Yorke wrote on Dead Air Space that Radiohead had "started the record properly now ... starting to get somewhere I think. Finally." [14] Radiohead used several guitars borrowed from the guitarist Johnny Marr, including a 1957 Gibson Les Paul Gold Top and a 1964 Gibson SG. [15] Colin Greenwood contracted temporary hearing loss and tinnitus brought upon by faulty headphones. [16]The pay-what-you-want release, the first for a major musical act, attracted international media attention and sparked debate about the implications for the music industry. [30] According to Mojo, the release was "hailed as a revolution in the way major bands sell their music", and the media's reaction was "almost overwhelmingly positive". [9] Time called it "easily the most important release in the recent history of the music business". [62] Jon Pareles of The New York Times wrote that "for the beleaguered recording business Radiohead has put in motion the most audacious experiment in years". [30] NME wrote that "the music world seemed to judder several rimes off its axis", and praised the fact that everyone, from fans to critics, had access to the album at the same time, calling it an unusual "moment of togetherness". [63] The U2 singer Bono praised Radiohead as "courageous and imaginative in trying to figure out some new relationship with their audience". [64] The rapper Jay-Z described the release as "genius", [38] and the singer Courtney Love wrote on her blog: "The kamikaze pilot in me wants to do the same damn thing. I'm grateful for Radiohead for making the first move." [38]